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Oil on Canvas

Dining Room with circle of light

New York cityscape & Moon

Aerial perspective on a boxing Ring, Mid Century night

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Oil on wood panel 16" x 16" 2011 Framed

153X50X43Cm Carrara's marble
#ABinterior B

Merging a religious edifice with a warship starts a dialogue on the nature of civilization and aggression.

Oil painting on masonite board - Framed

Mixed media on paper. Framed

Photography, paper, oil, resin and gold powder on panel

Blue men of sahara painted in 1974

Oil and enamel paint on wood panel

Graphite and charcoal on wood panels Hugo Crosthwaite's large-scale urban drawings convey a sense of chaos and improvisation indigenous to his native Tijuana. His panoramic views are evocative rather than actual, reflecting an emotional response rather than a specific location. The multifaceted planes and floating texts represent the haphazard architecture and lack of urban planning characteristic of this border city. While the scale of his works and the narrative content are indebted to the great Mexican muralists, Crosthwaite also inserts classical imagery, 19th-century emotional turbulence, and abstract elements. He considers the finished product "to be a vision of [his] in which history, mythology and abstraction collide."

Diptych, monotype of screen printing on paper. ( work consists of 2 parts )

Illustration on canvas

Solid-worked and carved glass wall installation